This is fine for a simple piece of gear like an Electribe, but feels much too basic for a high-end instrument with a decent display. Generally, though, once you get used to it, the user interface isnt too bad, and various shortcuts are employed that you soon come to appreciate.įor example, the 16 trigger buttons along the bottom edge of the module serve multiple purposes, switching on trigger steps in the arpeggiator or sequencer, selecting pages in the menu system, or playing notes if the keyboard is not present.įor example, a small LED flashes when you turn a knob through its current stored value. This is made more irritating because the Radias has a lovely slimline design, perfect for slipping into a small mixer flightcase. When racked, it occupies 4U of space, but as its connectors are not recessed, you need to allow at least another rack space above it for cable connections, which is a bit of a waste. If its rhythmic fun and interaction you seek, there are drum kits, an arpeggiator and dual step sequencers.Īll this is housed in a body that bears a passing resemblence to the MS2000R synth although in a splendid silver finish. Throw in a versatile filter section, a vocoder, powerful distortion and waveshaping, plus a virtual patch system and decent effects, and you have a stonking sound engine.
Sound Banks For Korg Radias S Plus A Virtual We first saw MMT on the EMX1 Electribe, but Korg have taken things further for the Radias, plundering the mighty OASYS workstation to ensure the modelled analogue oscillators are low on aliasing, high in fat. Sound Banks For Korg Radias S Plus A Virtual.
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